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with original shipping envelope bearing stamps and wax seals; another envelope from a previous sale has a hand-written Walter Breen note in pencil rather than his typical bright pink or violet felt tip marker renderings. Most significantly, however, the coins are completely original in color and surface, a very important consideration for connoisseurs in today's numismatic climate. Additionally, the toning is uniform and attractive in appearance: * Cent. Proof-66 RB. A frosty Matte Proof Lincoln, just the way an RB should appear, with a generous amount of original mint bloom mingling with deepening red, gold, and smoky pale violet * Nickel. Proof-67. A truly splendid gem Matte Proof Buffalo nickel, the highlight of the group in this writer's eyes—though you can blame the favoritism on the design type and nothing else. Essentially flawless matte surfaces glow with lively pale gold, faint heather, and satiny pale electric blue * Dime. Proof-66. A bit of mint brilliance resides among the rich gunmetal-blue highlights, with splashes here and there of fiery orange, crimson, violet, and gold on the obverse, the reverse dominated by gunmetal-blue and underlying gold * Quarter. Proof-66. Vivid toning highlights similar to the other silver pieces * Half dollar. Proof-66. Rich toning highlights similar to the other silver pieces. An incredible offering of delightfully original Proofs of 1914, cent through half dollar, a set that has been out of the numismatic mainstream for nearly 30 years, only now making a grand appearance for the delight of a new generation of coin enthusiasts. Accompanied by the original shipping envelope with appropriate postmarks and stamps (two 2¢ carmine or rose) and two imprinted sealing wax drops, one broken where the envelope was opened, as well as by the original soft paper used to wrap the pieces for shipment. It is hard to imagine a better "go-with" than those offered with this grand prize. (Total: 5 pieces, plus paper ephemera).This amazing 1914-dated five-piece Proof set made its first public appearance in Lester Merkin's sale of March 6-7, 1968, held at the Drake Hotel on Park Avenue in New York City. Amazingly, this particular Proof set was offered in a run of 19th and 20th century Proof sets that appeared in Merkin's catalogue as 299 to 325. Among the other dates represented were 1877 through 1880; 1882 and 1883; 1885 through 1890; 1892 through 1902; 1906; 1913 (2); 1914; 1916. Regarding this offering of Proof sets, Merkin's cataloguer, perhaps even Walter Breen, noted the following: |